搜索"Andr" ，找到 部影视作品
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A village in Ukraine, near the Russian border. The only thing that slightly disturbs the peace there is the occasional death of an elderly person. That is also why Anatoly returns there: to take care of his dying mother.
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From war, Japan began to show technological prowess like the world had never seen. After a shocking betrayal, Sony founded that which would become the world's most successful chain of videogame consoles. The PlayStation was here to stay. Production company: Entertain Me Productions Producers: Brian Aabech
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A group of homeless misfits must fight for survival when they discover a plot to exterminate every homeless person in the city.
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Avery is an unadventurous schoolteacher whose sister secretly signs her up for The Great Holiday Dash, a Christmas-themed reality competition show where she's paired with former hockey player Wes. Despite clashing at first, Avery's puzzle-solving skills and Wes' physical prowess help them excel as they travel from city to city and compete in festive feats that have a local flavor. It's not long before a real connection between these opposites begins to blossom. But when Avery overhears a conversation between Wes and a show producer it threatens to derail their budding romance. Keeping their eyes on the prize, the duo continues to dash to the finish line but there may be a more personal adventure for them still in store.
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一名被解雇的特警队成员努力适应其座位零售店保安的新角色，就在这时，他发现了一个解决自身财务困境的办法
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Every Tuesday, Claudine goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
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Two years after their basketball victory, Los Amigos is reunited by Cecilia, an inexperienced but optimistic coach. Against all odds they find themselves participating in a worldwide watched eSports tournament.
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扎耶采夫是一个来自偏远村庄的普通少年，他在一个没有父亲的大家庭中长大。在战时童年和战后困难中，他凭借着坚定的意志幸存下来，并成为反恐部队“阿尔法小队”的创始人之一。奥尔忠尼启则市发生了一起骇人听闻的案件：恐怖分子劫持了三十二名儿童、一名教师和一名司机作为人质。这个事件轰动了整个国家，乃至于整个世界。就在全国上下人心惶惶之际，扎耶采夫与团队组织了一场复杂的解救行动。最终他能否成功解救所有人质，并逮捕恐怖分子呢？
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
