搜索"Anna" ，找到 部影视作品
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凯莉（安娜·妮可·史密斯 Anna Nicole Smith 饰）是一名商用直升机驾驶员，她与丈夫高登警探感情甚笃。两人各自拥有独立的职业，过着幸福的生活。然而，一天，凯莉接到了一个任务，需要负责接送一位神秘的异国客人前往洛杉矶的一座大楼。但事情并不像她所预期的那样平稳，因为这位神秘客人竟然是非洲来的恐怖组织领袖。 恐怖分子使用高科技手段控制了大楼，挟持了人质，采取了极端残暴的手段。凯莉很快意识到情况的严重性，她自身也受到了威胁，身陷危机之中。高登（理查德·斯特恩梅茨 Richard Steinmetz 饰）是一名警探，作为人民的守护者，他当然不会坐视不理。他决定挺身而出，与恐怖分子进行激烈的对抗，试图解救被挟持的人质，包括他深爱的妻子凯莉。然而，这次任务非常艰难，因为恐怖分子拥有高科技设备和极其危险的手段。
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The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.
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Three families in different eras share a home, each striving to preserve the Christmas spirit despite life's challenges.
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故事背景设定在迪士尼·皮克斯的《心灵奇旅》之前。22违反了生之来处的规则，拒绝去地球，招募了另外五个新的灵魂来试图反叛。 然而，由于同伙们的活动导致了意料之外的结果，22的颠覆性密谋实际上可能会意外揭示出生命的意义。
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一个四世同堂的家族在平安夜齐聚祖屋，这可能是他们最后一次在这里过圣诞。随着夜色渐深，几代人的紧张关系愈发剑拔弩张。 影片曾入围2024年戛纳导演双周。
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The BBC will air Return to Paradise, a new Australia-set spin-off from one of the UK’s most watched dramas Death in Paradise. Filming next year, the six-part series will be produced by BBC Studios Productions Australia with Red Planet Pictures for the ABC, in association with the BBC. Set in the idyllic, beachside hamlet of Dolphin Cove, Return to Paradise is six gripping, twisting and fiendishly clever murder mysteries – all against the spectacular backdrop of the Australian coastal landscape. Australian ex-pat Mackenzie Clarke is the seemingly golden girl of the London Metropolitan police force – with an intuitive approach to detective work, she has built a reputation for being able to crack the most impossible of cases. However, she’s suddenly forced to up sticks and move back to her childhood home of Dolphin Cove, a beautiful, coastal paradise… and Mackenzie’s worst nightmare. Having escaped her hometown at the earliest opportunity six years ago, Mack vowed she'd never come back, leaving a lot of unfinished business and unanswered questions. On her return she’s still no fan of the town, and the people of Dolphin Cove are certainly no fans of hers. In fact everyone would prefer her not to be there, including Mackenzie herself. But when a murder takes place in Dolphin Cove, Mack can’t help but put her inspired detective brilliance to good use and determines, despite her reservations, that she needs to make the best of it, including tying up the loose ends with the man she left at the altar six years ago.
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瑞秋·齐格勒///妮可·基德曼///哈维尔·巴登///约翰·利思戈///詹妮弗·路易斯///内森·连恩///泰塔斯·伯吉斯///米格尔·贝尔纳尔德阿尤///迪·布拉雷·贝克尔///苏珊·菲泽///欧嘉·梅雷迪斯///瑞奇·摩尔///约翰·拉森贝格///维基·詹森///安吉拉·格鲁威// Jessica Molaskey / Giovanna Bush / Isabelle McCalla / Dennis Stowe/
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A twelve-year-old girl befriends a quirky teenage mermaid who's anything but mythical, and their friendship could heal an age-old feud.
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埃里克在菲律宾过着相当普通的生活，担任动画师。他住在一个不错但有些脏乱的公寓里，有一份收入不错的工作，还有一个他喜欢的人。然而，埃里克最显眼的特点是他没有嘴，字面意义上的没有嘴。一天，他接到了母亲罗莎琳达的电话，母亲让他去查看一下似乎失踪的叔叔。结果却发现叔叔已经去世多日。在他仍处于震惊状态时，一个熟悉的外星人出现，想要把埃里克带离地球。《Iti Mapukpukaw》是一部菲律宾伊罗卡诺语的转描动画电影，讲述了在熟悉的外星人到来和叔叔去世后，埃里克生活的曲折变化；这两件事都促使埃里克开始回忆过去并解开记忆的纠缠。
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20-something Aden has no other ambition in life than to become an actor. Most of his time is spent making videos as he applies for roles he’ll never get. After a string of dreadful auditions, where bizarre and humiliating requests are made of him, he comes up with a radical move: he will take full responsibility for finding a role that primarily he, himself, wants to play. This self-assured debut, playful in form and narrative with a fairy-tale edge to it, examines both the commercial work ethic and the concept of identity, which it presents as multilayered and also questionable. At the same time, in its exploration of the given themes, the film doesn’t deny itself a socio-critical tone, nor does it resist the temptation to tease the viewer a little.
