搜索"Der" ，找到 部影视作品
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A group of young friends as they come of age and strive to meet the unexpected demands of adult life while coming to terms with their own identities, pasts, and passions.
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希拉莉（瑞切尔•格里菲斯 饰）与积琪琳（艾米丽•沃森 饰）是一对感情深厚的姐妹。姐姐希拉莉很有吹长笛的天分，积琪琳看着姐姐拿到了许多荣耀也不甘落后，经过艰苦练习后，积琪琳的大提琴也有了很大的进步。在一次比赛中，两人分别获得了第一，但希拉莉开始嫉妒妹妹，纵使两人的感情没有受到影响，可是希拉莉的音乐之路开始触礁。 长大后的希拉莉成家了，搬到了偏远地区，这时也同样结婚了的积琪琳十分羡慕姐姐过着平常但幸福的生活，她开始厌倦到处表演。她逃到了姐姐的家中，却要求与姐夫发生关系，为了迁就妹妹，希拉莉只好妥协。终于一天，积琪琳发现姐夫爱的依然是姐姐时，她离开了，回到了丈夫的身边，正当一切进展顺利之际，她发现自己患上了不治之症。
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薇卡（苏菲•玛索 饰）是个13岁的女孩，不同于班上的其他同学父母离异的状况，她拥有一个完整的家庭，虽然她总是觉得被母亲忽略，伴随青春期到来的，除却敏感的对父母之爱的需要，还有对异性情感的渴望。然而，父...
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1990年的9月24日，两位驾着F16战机的美国空军在伊拉克上空禁区做着例行飞行检查。出乎意料的，在北大西洋公约空域中出现了一架伊拉克喷射客机，李班宁机长（罗伯派屈克饰演）察觉这件意外后，准备赶这架偏离航道的飞机回正轨。约翰达克机长（鲁格豪尔饰演）则飞近这架客机想一探究竟，并向客机发出请求离去讯号。突然间三架伊拉克MIG战机冲出来，对这两保F16开火并发动飞弹攻击。达克与班宁立刻反击，并且和敌机做激烈的空战。但达克却不幸被飞弹射中，飞机连人垂直掉落至伊拉克土地上，成为一片火海。而李班宁当天晚上在漆黑的巴格达夜空中却目击到一件无法说出口的恐怖事实。
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麦克和美亚同在北美危机处理中心工作，负责美国本土的反恐及紧急事件的处理。由于美国的霸道以及全球贫富差距的加大，美国所受到的恐怖袭击不断增多。一天麦克发现一可疑电话，随即锁定跟踪。
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本片讲述21世纪初期，美国爆发内战，独裁政权推翻民主制度，自号国会监察。各义士奋起抗暴，全国烽烟四起，各地更严密实施军管。唯一的自由城市钢港，市内龙蛇混杂。火凤凰在此经营酒巴，兼职捕快与一批抗暴分子并肩全战。艾素是一名自由战士，与火凤凰曾有过一段恋情，帮助女科学家戴博士逃离华盛顿，并与她一起逃到钢港，在走投无路之下求助火凤凰，相处之下二人发生微妙的感情。
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Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
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莉比（艾什莉·贾德 Ashley Judd 饰）和丈夫尼克（布鲁斯·格林伍德 Bruce Greenwood 饰）之间的感情十分要好，两人共同养育乖巧可爱的儿子马蒂（本杰明·韦弗 Benjamin Weaver 饰），幸福生活堪称典范。可是，在忽然之间，尼克神秘失踪留下大量血迹，莉比则沦为嫌犯最终锒铛入狱。莉比将马蒂托付给了好友安吉（安娜贝丝·吉什 Annabeth Gish 饰），自己则在狱友玛格丽特（罗马·玛菲娅 Roma Maffia 饰）和伊芙琳（达文尼亚·麦克法登 Davenia McFadden 饰）的帮助下为了洗清罪名而做着不断的努力。 一晃眼六年过去，塔维斯警官（汤米·李·琼斯 Tommy Lee Jones 饰）成为了获得了假释的莉比的监护人，而此时的莉比发现，尼克不仅没有死亡，甚至改头换面带着儿子和安吉过着隐姓埋名的生活。经历了双重背叛的莉比决定反击，而尼克也绝不会坐以待毙，一场充满了阴谋与危险的恶战即将拉开帷幕。
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一次偶然中，西德尼（菲利浦·贝克·霍尔 Philip Baker Hall 饰）遇见了名为约翰（约翰·C·赖利 John C. Reilly 饰）的男子，他将穷困潦倒的约翰带到了赌场之中，教会了他赌术...
