搜索"Rand" ，找到 部影视作品
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本片讲述好莱坞著名大导演詹姆斯·威尔（伊安·麦克莱恩 Ian McKellen 饰）1957年的最后人生。这位创造影史最惊悚角色“科学怪人”的导演已淡出电影界， 正潜心研究绘画，闲时仍与一些男子频频约会。当管家汉娜（琳恩·雷德格瑞夫 Lynn Redgrave 饰）录用了新园丁、身强力壮的前海军陆战队成员布恩（布兰登·费舍 Brendan Fraser 饰）后，威尔的兴趣渐渐全部转移到布恩身上。威尔象一只爬向苍蝇的蜘蛛一样一点点接近布恩，引领后者一步步走进精心设计的圈套。原来威尔虽然已停止拍片，但自从见到布恩后，他发现布恩同自己片中的主角弗兰肯斯坦极为相似——不善言辞、单纯质朴且难以理解。威尔感到自己无法冷却心中的热爱，只有布恩才能解除他的痛苦，他的计划就是诱使布恩最终杀死他本人，从而得以亲手实现一生中最完美的电影情节...... 本片通过年老好莱坞名导与年轻园丁的微妙接触，以及由此触发过往回忆的碎片，娓娓刻画奇妙而复杂的同性情愫，勾勒出一个友谊、尊重、爱恋、抗拒、厌恶、恐惧等情感荡涤的世界。影片不断穿插《科学怪人》的电影画面和台词，它巧妙地暗合了同性恋与科学怪人共同的被歧视性地位和恐惧处境。导演戏谑而平静的虚实铺陈出一位同性恋导演的最后生命旅程，堪称黑色喜剧的杰作。《众神与野兽》获当年奥斯卡最佳改编剧本奖，同时入围最佳男主角、最佳女配角。本片也是以“甘道夫”形象风靡世界的伊安·麦克莱恩爵士演艺生涯中最重要也是最出色的一次演绎。
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一名丛林向导被原住民部落绑架，想把他献祭给白犀牛神，就当他小命要不保时，他突然跌入时光隧道，来到一群野蛮黑发女统治的国家，她们会奴役金发姐妹。他拒绝卡莉皇后的求欢，转而站在金发妞那一边，这也造成他被囚禁起来。
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Two men kidnap a girl off the streets, take her to a beach house owned by a drug-addicted stewardess, and hold her for ransom.
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理查德（詹姆斯·伍兹 James Woods 饰）是一位职业摄影师，每日，他穿梭于世界各地，寻找能够为他带来经济效益的摄影题材。在行业里浸淫已久的他明白，那些美好的，善良的事物无法吸引人们的注意，唯有暴力、恐怖和灾难能够为他带来机遇。 就这样，理查德和朋友们来到了烽火连天的萨尔瓦多，让理查德没有想到的是，展现在他眼前的，竟然完全是一副人间地狱的惨象。纵使是阅历丰富的理查德，也无法忍受这里发生的点点滴滴，心灰意冷的他决定离开。就在这个节骨眼上，一位名叫玛利亚（艾尔皮迪娅·卡里洛 Elpidia Carrillo 饰）的美丽女子出现在了理查德的生命力，在爱情和事业之间，理查德会做出怎样的选择？
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十七岁的马丁（Walter Quiroz 饰）在家乡火地岛上日日过着乏味的生活，他对陈腐破败的学校毫无兴趣，和继父的关系又紧张，唯一给他希望的，是亲生父亲创作给他的连环画，画中记录着拉美大陆种种神奇的景象。马丁的女友意外怀孕，但迫于家长压力要打掉孩子并与马丁分手，愤怒的马丁丧失了留在家乡的最后理由，他收拾行装，踏上拉美大陆，开始了北上寻找生父游历美洲的旅程。马丁见识了洪水中的布宜诺斯艾利斯，经过了蛮荒的安第斯山脉……一路上，一个未知是幻觉还是真实的红衣姑娘多次现身，令马丁的神奇之旅愈发空灵。马丁沿路搜集生父的消息，同时也越来越深入到拉丁美洲大陆的幻想与现实中去。
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
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9岁的“狮心面包圈”患结核病，而且知道他会死很快。哥哥狮心约拿丹在一次火灾中救人死去，弟弟后来也因病过世，死去后到了天堂，片中那个地方叫“南极优勒”。见到了哥哥，在天堂里哥哥仍然行善除恶，后来在那里又...
