搜索"Vic" ，找到 部影视作品
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Neneh is a little 12-year-old black girl. Born to dance, she dreams of gaining entry to the Paris Opera ballet school. Despite her enthusiasm, she will need to work twice as hard to escape her condition and gain acceptance from Marianne Bellage, the director of the establishment and an upholder of traditions, who hides a secret connecting her to the little ballerina…
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A psychological thriller with aspects of the horror genre, focusing on the lives of the remaining Serbs in Kosovo nowadays and the real life stories that lie beneath the media coverage.
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一名英国女子的秘密和充满暴力的过去因为超市里一群持枪劫匪而暴露，她在巴塞罗那的宁静生活也随之失控
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卡迪尔（Kathir，Dhanush）饰和普拉布（Prabhu，Dhanush饰）是双胞胎兄弟，他们在行为上彼此不同。虽然Prabhu是一个温顺善良的人，但Kathir则混乱暴力，自小是一个反社会的人。20年后，故事转移到钦奈，并切入普拉布与布瓦纳（因杜贾）结婚。他们生了一个女儿，萨蒂亚（Satya）。然而，当萨蒂亚在梦中对一个人有异象时，他们幸福的家庭开始改变。她开始和他沟通。在拜访了精神病医生后，普拉布得知萨蒂亚正在受到一个“看不见”的幽灵折磨，她称他为索努（Sonu）。谁是索努，索努和萨蒂亚之间的关系是什么。
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Adela是一名充满同情心的罪犯辩护人，一直坚信人性本善，罪恶的是社会。然而她最近的辩护被告偷了她的车，在车内找到了她乡村别墅的钥匙并计划了一次盗窃。不幸的是丈夫在这次入室盗窃中意外身亡。这让她陷入理想与现实的纠结痛苦中，殊不知噩梦才刚刚开始……
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Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
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Antonio and Nikola are inseparable friends who live across the road from each other, and share a love of pyrotechnics and mobile phones. Their families have been in dispute for years over an easily resolvable problem: the water that flows from the top house to the bottom house. The boys' friendship, as they are about to enter puberty, is put to the test at Christmas time when their families uncover much more dangerous secrets and interests, and the water just carries the hate of the adults to the children. Debut film.
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Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.
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No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget. Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way. There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him? Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.
