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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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在与父母争吵后，少女点开了一封神秘的电子邮件，但这封邮件所传递的信息却感染了整个家庭。
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《权力的游戏》制片人弗兰克·多尔格要为德国ZDF电视台开发一部全新惊悚剧集《康考迪亚》（Concordia），设定类似《少数派报告》，数百万台摄像机连接到一个人工智能系统，该系统监控公民生活的方方面面，并在犯罪嫌疑人犯罪之前阻止他们，整个城市没有枪支，犯罪率为零，直到有一天，在郊区发现了一具尸体……该剧集已邀请《弗兰肯斯坦传奇》的编剧Mike Walden撰写剧本。
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主人公威尔（Richard McWilliams 饰）和他的父亲过着宁静的田园生活，然后他的父亲被一头龙杀死，威尔不得不离开山上的家园，来到了与家族有着悠远联系的斯特林，向生活在那里的领主和骑士寻求帮助。 威尔的到来并不受欢迎，他被派去在斯特林庄园的农场里进行艰苦的工作。然而，他很快结识了斯特林庄园里任性的女儿凯特（妮可拉·珀塞纳 Nicola Posener 饰），两人成为了朋友。他们共同努力揭开连接两个家族的神秘秘密，同时也为威尔准备面对龙的决战做好准备。在这场决战中，威尔将寻求复仇，报复那头杀死他父亲的龙，并证明自己已经长大成为一个真正的男人。影片强调了主人公的成长和坚韧精神，带领观众进入一个充满挑战和冒险的世界。
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在18岁生日那天，疏远的父亲用一辆复古车向TJ发起挑战，鼓励他进行一次横跨全国的公路旅行。TJ与一些古怪的同伴踏上了这段充满幽默和坚韧的旅程，逐渐意识到，人生中最漫长的道路也可能通向家的方向。
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Sex and politics collide in this harrowing, hard-hitting tale of forbidden love, blackmail and murder. Set up by the secret police to compromise a prominent politician, a teenage hustler discovers himself passionately in love with the man he must betray. Written by Jim Stark A rising politician risks his career and his marriage when his homosexual desires are reawakened following a hospital visit. At first he's safe enough with one night stands with young rent boys chosen by a discreet hustler that he met in the hospital. But, when he falls for one of the boys he meets and starts bringing the young man into his family, the risks escalate. What he does not know is that the political opposition knows of his vice and have planted the boy.
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Davi Martins, a commercial director of a financial institution, and Juliana Martins, a personal trainer, are a couple trying to recover from a crisis. At work, Davi ends up getting involved in the investigation of a financial scandal, putting himself in the crosshairs of dangerous people. Little by little, Juliana discovers that her new home may not be a new beginning, but the stage for a real nightmare. Some secrets may end her life
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当扑克玩家到达谷底时,他会招募他最好的朋友来进行一场高赌注的抢劫。看了这部电影,我从始至终都粘在屏幕上.人物构成很好,对话非常有力.演员选得很好,故事很有意思,我特别喜欢专注于赌博的危险。非常好的导演制作的简单故事,使非常容易观看。他们中的一个。
