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让我走
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  Every Tuesday, Claudine goes to a mountain hotel to meet men passing through. When one of them decides to extend his stay for her, Claudine is confused and finds herself dreaming of another life.
艾曼纽的银舌
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一个发生在少男和年长美女之间的故事。十几岁的Billy出生在北非一个富裕的家庭中。一次,家中来了一个客人,年轻貌美的二十多岁美女Andrea,一见到美丽的Andrea, Billy就被迷得神魂颠倒,还不断向接近Andrea,幻想和她发生什么。而Andrea也答应在Billy成年后会让他体验性的滋味。Billy努力地想让这次经历变得完美却始终遇到各种阻碍,一次他甚至将车开到了荒无人烟的沙漠中,以为再没有人会破坏他的好事。不妙,正当他们好事即将成功之际,突然有一支队伍出现了,Billy又一次失望而归……直到性感的治疗师Emmanuelle 到来后,她让Billy感受到了初体验的滋味,使得他消除了羞涩感和罪恶感。最后Billy和Andrea在沙丘上完成了美妙的经历.
初恋1978
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  I saw this film twice on my first trip to Italy (my first European trip, so it already was magical) and loved it, which was high praise, since I'd only been studying Italian for a few months, on my own. As I remember, it's the story of a man in an old actors home who wins a lottery, and runs away with a pretty worker from the home. He is taken advantage of, I remember, but exactly how...? I have looked for this film on video, and I think United Artists may offer it, but perhaps only in Europe. I would love to see it again...Ugo Tognazzi was a wonderful actor, and expressed many things simultaneously, as he did in La Cage Aux Folles. Lucky you if you can see the movie. I was in love with my Primo [Italian] Amore at the time, so perhaps memory has sweetened recollection. But I think it was lots of fun to watch.  I found this film one of the saddest ones which I've ever seen. Dino Risi is a brilliant director and made a great film which shows the aging. Ugo Tognazzi plays the actor who feels too young to be in an "old actor's house". He just can't stand the rules and the other old people so he escape with a young girl. The sad part comes from here because the girl wants her freedom, doesn't love the man and cheats him with other guys. In fact she never told the man that she loved him.
松露猎人
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  在意大利北部的森林深处,栖息着珍贵的白阿尔巴松露。它依旧是一种具有刺激性气味但稀有的神秘食物,世界上最富有的顾客都渴望能品尝它。即使是最足智多谋的现代挖掘者,也无法培育或发现它。地球上唯一知道如何把松露挖出来的是一小圈犬齿和它们的银发人类同伴——拄着拐杖、有着魔鬼般的幽默感的意大利老人——他们只在晚上搜寻松露,以免给别人留下任何线索。
爱的阴暗面
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  影片描述弟弟艾米里奥由于体质不佳,从小一直在家中由母亲照顾。当母亲离世后,他唯一的姐姐一位成功的女企业家帕特莉茜娅,卖掉自己的公司回到自己的故乡来照顾弟弟。她鼓励艾米里奥应该走出家中、离开电视机,去外面寻找自己的世界:有新鲜的空气、海洋、植物,结交朋友、恋人......  教他学会理解和学会去爱,甚至用自己的性经历来当故事讲述。但是事情并不像预期的那么单纯,最终却上演了一场姐弟之间怪异、错愕的乱伦关系...
1860
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  意大利人民反抗侵略,战争场面拍的相当宏大,各种优美流畅的长镜头,演员表演内敛自然,这部电影标志着意大利的电影人已经掌握了非常娴熟全面的电影技艺,被誉为当时意大利电影的最高成就丝毫不为过
暴行列车
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  A pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize two young girls on a train trip from Germany to Italy.
未知方程式
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  This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.  “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
暴行列车
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A pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize two young girls on a train trip from Germany to Italy.