搜索"II" ，找到 部影视作品
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单亲母亲安娜和她的四个孩子住在乌克兰顿巴斯战区前线。当外面的世界充满了爆炸和混乱，这个家庭试图把他们的家作为一个充满生命和光明的安全避难所 。每一个家庭成员都对电影都充满热情，因此他们试图拍摄一部受战时生活启发的电影。这一创作过程讨论了在灾难时期，电影能拥有什么样的力量。对安娜和孩子们来说，将创伤转化为艺术作品是保持人性的最终途径。
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A French diplomat must escape an FSB plot in Siberia.
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One has to be brave enough to accept loosing old self for the sake of growing up. Kira becomes adult briskly, watching her family and soviet childhood smashing into pieces. So does Ukraine in the early 90th, launching painful process of transformation into an independent country.
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The Avengers gather to celebrate their latest victory, but their celebration is quickly interrupted by the mysterious disappearance of Black Widow’s father, Red Guardian. As the Avengers investigate, they discover that Red Guardian isn’t the only one missing when they meet a dangerous new foe quite unlike anything they’ve ever encountered before.
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暗中喜欢民秀的智熙碰巧在为考试而苦苦挣扎的民秀家一起学习。在那种情况下，智熙偷偷地想象着与敏秀的浪漫。敏洙发现智熙喜欢他后，便专心致志地专注于自己的成绩。与此同时，暗恋敏秀的跟踪狂娜英看到智熙出来后突然拜访敏秀。敏洙用娜英……
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翻拍自同名韩国电影，讲述深受困扰、无依无靠的拳击手搬去和失散多年的母亲及患有自闭症的钢琴家弟弟同住，他必须融入这个多年未识的家。
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Two women's anticipated suicide journey turned into a physical terror... Mi-ran is a call girl who was raised in an orphanage without having been loved once in her life and sold herself several times to men. The more Se-hee struggled with the weight of life, the heavier it got. On her first day of work as a call girl, a terrible accident happens. These two women think they are abandoned by life and start off on a suicide journey.
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艾米尔（香侬·惠利 Shannon Whirry 饰）不仅长得美艳动人，更拥有一副与相貌相匹配的高智商大脑，一直以来的富裕生活让艾米尔坚信，女人也是可以自力更生的，为此，她还进行了一场精彩绝伦的演讲。可是，在此之后，人们便失去了艾米尔的消息，原来，她被一位名叫理查德（Michael Christian 饰）的神秘男子绑架了。 理查德将艾米尔软禁在了密室之中，他的真实身份究竟是谁，想要得到什么，艾米尔一无所知，她只是每日如同“洗脑”一般被灌输着各种各样的奇怪思想，很显然，理查德想要通过这样的方式来改造艾米尔的思维。凭借着自己的聪明才智，艾米尔逃脱了理查德的禁锢，可是故事并没有就此结束，聪明的艾米尔决定以其人之道还治其人之身，让理查德也尝一尝被软禁的滋味。
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Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
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在一次带着幼女和妻子郊外度假过程中，医生的为了营救下湖游泳被水中渔网缠住溺死的妻子，几乎窒息而死幸被救。若干年后，一次无意中接触到BDSM，受虐中的窒息感觉，让医生恍惚中回到营救妻子的水下，这种感觉让医生爱上受虐。于是，一发不可收拾，在一次差点窒息而死的受虐中，施虐女不愿继续，但医生苦苦相求，更是跟随其进入一个BDSM酒吧。
