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The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films. Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!
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入围2020年华沙电影节自由精神单元 It all starts trivially – with a quarrel between a young married couple. The spouses are waiting for their first baby which is due very soon. Every day the situation is heating up. There comes a point when the main character – Dastan – can no longer stand the constant pressure from his wife. He decides to escape, just for one day, to go on a fishing trip with two friends. The future father, the unlucky businessman and the local police officer plan to get away from it all and just focus on fishing. However, a series of unforeseen events, turns their trip into a wild Tarantino-esque rollercoaster. A dynamic, ironic and funny story about real male bonding.
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入围第54届卡罗维发利电影节主竞赛单元。 Vasil has just lost his long-time partner in life, his wife Ivanka. When a woman at her funeral proclaims that the dead woman called her cellphone, Vasil seeks out the help of a well-known psychic in order to try to contact his wife. His son Pavel tries to bring him to his senses, but Vasil stubbornly insists on doing things his own way… Following the internationally successful The Lesson and Glory, Grozeva and Valchanov return with an intimate family drama about the difficulties of connecting with those close to us. As the picture slowly gathers momentum, its story unfolds many of the carefully arranged absurd or comic situations typical for the Bulgarian filmmaking duo.
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昔日的重量级拳击冠军乔治(迈克尔•加•怀特 Michael Jai White 饰)在俄罗斯拍摄广告度日,某天他的家被人闯入后放置了大量毒品,于是乔治因贩毒入狱。这场陷害的幕后主使是俄罗斯当地的黑拳界...
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艾莉森(帕特丽夏·阿奎特 Patricia Arquette 配音)自幼便拥有高于常人的灵视能力,总能够看见徘徊在人间的幽魂鬼影,聪明的艾莉森将这种能力融合进了工作中,成为了一名灵媒。艾莉森额丈夫乔伊(杰克·韦伯 Jake Weber 饰)是一名科学工程师,虽然科学和灵异相斥,但他依然相信着妻子的每一个决定,并且成为了她最坚强的后盾。 艾莉森和乔伊有三个孩子,性格敏感,灵能力最强的大女儿艾瑞尔(苏菲亚·威希涅瓦 Sofia Vassilieva 饰)、古灵精怪特立独行的二女儿布雷吉特(Maria Lark 饰)和虽然年纪小但已经学会熟练使用灵能力的马力(Miranda Carabello 饰),看着自己的三个孩子都继承了灵力,艾莉森感到有些担心。
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After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
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A supermarket in a Moscow suburb is the heart of darkness for the Uzbek “employees” who work there a...