搜索"Nag" ，找到 部影视作品
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Umut, a young man who is mute but not deaf, finds out that his mother has been meeting with a stranger.
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由Karan Singh (Salman Khan) and Arjun Singh (Shahrukh Khan) 饰演两兄弟，与单亲妈妈Durga Singh (Raakhee Gulzar)居住在一个印度小农村，因为有一段不为人知的艰辛命运，所以妈妈一直编了故事隐瞒两兄弟的真实身份。 直到有一天他们的祖父即将去世，所以妈妈就带着他们两兄弟去见祖父最後一面，但是更悲惨的事就要发生了...... 之後两兄弟再度轮回，即将展开一段曲折离奇的复仇之路......
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奧馬爾在倫敦過着富裕生活，還有一年就大學畢業，一 切看似安好。然後忽然一天感召來了，他無法再忍受波斯尼亞大批穆斯林被虐殺的報道和影像，要做點什麼改變世界。真人真事改編，呈現恐怖份子的成魔歷程；不從英美主流角度去看，也不全循伊斯蘭觀點，究竟可以折射出一幅怎樣的圖像？觀眾跟隨攝影機見證奧馬爾在巴基斯坦山區受訓，在新德里綁架視為沉默同謀的歐美遊客，策劃謀殺《華爾街日報》記者，以致最後就擒。的確，人在做天在看，問題是哪一個天在看。
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维拉特,是名军人,但同时也是国防情报局的特工.在一年一度的兵士回家度假中,遭遇了恐怖袭击,亲眼目睹了一公交车的孩子和学生被炸死.在擒获恐怖分子(休眠者)分析了所得资料后,他安排了一个计划,这个计划,连他妹妹都搭进去了.然而,在他以为他抓获了休眠者的头头,她妹妹的一番话让他顿感一盆冷水泼在头上.......
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在这样一个精神失常的世界里，谁才是真正的疯子?这是一部讲述年轻情侣们不断逃跑，交织着诗意与现实影像，极具讽刺性的朋克式公路电影。无聊的比安卡绑架了一个孩子，并让轻信的拉奇帮她们创建一个家。他们一起组成了一个片刻的家庭，坐着房车出发，逃离法律和一群坏蛋。
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故事关于人的激情与嫉妒，贪婪与欲望，根据一个模糊的当地传说改编。卢西亚诺（Luciano）生活在19世纪末20世纪初的偏远意大利村庄里，被斥为"疯子、贵族、圣人和醉汉"。因同掌权者与贵族的冲突被流放至火地岛，卢西亚诺在无情的淘金者及螃蟹的帮助下，寻找神秘的宝藏。然而，在这些贫瘠的土地上，只有贪婪和疯狂才能盛行。
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Javi, a young rent boy living in Madrid, comes to a sauna club looking for a job. But soon he'll find out a place full of secrets, the biggest of them being a strange man who will fall in love with him: the Phantom of the Sauna.
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Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
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Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
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Afteranexperimentaldrugtrialgoeshorriblywrong,thesurvivingtestsubjectshavetofightoffsleep,andeachother,tostayalive.
