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布莉(费莉西蒂·哈弗曼 Felicity Huffman 饰)是个性别倒错者,生就男儿身的他自幼认为自己应该是女人,因此成年后一直努力工作赚钱,一直接受荷尔蒙治疗,分步骤实行变性手术。就在最后一步正式“去势”的前夕,布莉接到来自纽约的意外消息,原来他有个儿子,是当年不小心的结果,如今快要成年,但当街卖身因此被警察拘留。布莉硬着头皮到纽约见到儿子陶比(凯文·齐格斯 Kevin Zegers 饰),隐瞒真实身份带他一路开车回家,一路相处布莉慢慢了解陶比对找到生父的执念,而陶比竟然爱上这位“大嫂”,这段古怪关系将以怎样的方式揭开真相……
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Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
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A mute boy is trapped in his apartment with a sinister monster when he makes a wish to fulfill his heart's greatest desire.
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这是一个发生在失眠者身上的爱情故事。哈里在当地电台上晚班,负责一档提供情感建议的栏目——作为一个残障人士,她很清楚生活在一个存在歧视的社会是什么滋味,所以她很愿意用自己的乐观为人带去希望。一天,哈里与患有睡眠障碍的露娜相识了,她们很快坠入爱河,但这段感情能否跨越生物钟差异等障碍?
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Twenty years ago at the infamous Redwood Farm, the owner went mad and killed his family and himself. Shrouded in urban legend ever since, a stranger obsessed with the unsolved Redwood murders convinces a group of bereaved family members to venture into the wilderness in the hope of proving the existence of the notorious burlap bag-masked maniac. Their quest for truth sees a sinister turn of events, as the hunters become the hunted and a blood-soaked fight for survival ensues when they find that the sinister tales told of the axe-wielding psycho farmer are very real indeed.
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A young woman starting a new life is forced to take extreme measures against those around her after things go violently awry.
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Mona (Maëlle Poésy) has recently arrived in New York from France in order to mount her newest play — an autobiographical piece that depicts her tumultuous, on-again, off-again affair with a married photographer, Nick (Linas Phillips). Mona casts Chris (Keith Poulson) as Nick and Thérèse (Esther Garrel) to play the fictional version of herself. As rehearsals begin, a love quadrangle emerges: Mona falls for Chris, Chris becomes infatuated with Mona, and Thérèse develops deep feelings for Chris. This tangled roundelay unfolds in five chapters, covering the same events from each of the four character’s perspectives and culminating in a fraught production of the play itself.