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In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron’s execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor’s descendants.
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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在南美洲人迹少至的热带雨林深处，经过六年的努力，生化学家罗勃肯贝尔博士，研发出一种癌症治疗法面临一项重大的医学突破。一位冷静的女性学者当可琳博士历经一段艰困的会面；这一对互相厌恶的伙伴终于产生了共同的尊重，而实际的爱苗也滋生于这片异国风情的热带雨林中……
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庞贝大道玉辇过，金鞭络绎向帝国，火山宫殿烧焚尽，驱舟赶逃繁华落
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Follows Anita's self-discovery and maturity journey. At 15, the young played by Maisa, had a great expectation of adult life: leave the tiny town Imperatriz, travel to many places and get to know a lot of people. But at 30, her life is nothing like that. With few friends, living in a renovated apartment and with no signal of love, Anita returned to her birth town for her sister Luiza's wedding.
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故事发生在1934年的英国，菲尔比（托比·斯蒂芬斯 Toby Stephens 饰）、博格思（汤姆·霍兰德 Tom Hollander 饰）和麦克林（鲁伯特·潘瑞-琼斯 Rupert Penry-Jones 饰）是三位在剑桥大学深造的前途无量的年轻人，他们受到了苏联海外情报部门的招募，成为了间谍，这就是之后闻名于历史的剑桥间谍帮。三个野心勃勃的年轻人将苏联视为实现他们政治理想抱负的肥沃土壤。 第二次世界大战爆发之后，间谍帮的成员们被英国政府雇佣，在整个战争期间，他们为苏联提供了无数的珍贵情报，可谓是于无形之中影响了整个战局。1951年，博格思和麦克林因为身份败露而逃往了苏联，剩下菲尔比一人顶着巨大的压力接受了来自英国政府的严酷调查。
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他（Method Man 饰）是一个沉默的男子，永远礼帽风衣，沉默地穿梭在这座道德沦丧、破败绝望的城市的大街小巷。死亡每天发生，司空见惯，不知天高地厚的年轻人们呼啸而过，挥霍生命。白天他是市殡仪馆的殡仪师，以娴熟专业且庄重的手法清理残破不堪的尸体，带死者走过最后一程；夜晚则端坐那间被暴怒吵闹的邻居所包围的小屋里，细心制作动物标本，为他们的主人找回最后的安慰。 某天，一具女性尸体在他死水般的内心世界引起涟漪。尸体上纹有波提切利的名作《维纳斯诞生》，似曾相识的图案勾起了他对往事的回忆。城市的自毁仍在继续，他也无法永保平静……
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1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。
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A Nigerian woman and an Indian man won't let cultural differences get in the way of their romance.
