Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.　　Director's Note:　　Family photographs, according to Roland Barthes, are a desperate means to freeze time and immortalize the family. However, what the family doesn’t realize yet is that, as they smile and pose for the picture, they have already died.　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=e3a878c3-ae17-4570-9736-2c37b917128a

　　二十世纪初，大英帝国殖民官员爱德华被派驻遥远的东方，他从仰光搭火车前往曼德勒，等待未婚妻莫莉搭船到来。孰料蒸汽船即将靠岸之际，他却丢失了勇气，跳上前往新加坡的船仓皇离去。即便如此，爱德华的懦弱之举，并未让莫莉却步，反倒上演一场你跑我追之旅，也借着横渡暹罗、西贡、马尼拉、大阪、上海、重庆、成都，在陌生的远东大陆上，展开一连串的探索与追寻。

“日落大盗”Garcia以铁腕贩毒称雄美洲，但突然有一天，一位神秘的人物却突然向他展开了复仇。为了复仇，神秘者雇佣了六位杀手，并不是因为Garcia有六条命，而是他希望夺走Garcia的六个生命一样宝贵的东西：自由、爱情、荣耀、宝贝、财富，以及性命...但如此强大的Garcia岂能坐以待毙呢？

日前，加拿大成人女星萨莎·格蕾主演的恐怖喜剧《跳跃剪接》曝光了预告片，她因为刚刚接拍了名导史蒂文·索德伯格新片《应召女友》而备受关注。这部低成本的独立制片，讲述失意导演搭上脱衣舞女郎，因一场意外的车...

A police inspector Dusan investigates an unusual case, the death of Marjan Ozim. The inspector develops an obsession with the case, especially when he realizes it was suicide. He starts to live in the deceased's apartment, digging through his life, getting involved with people Marjan Ozim knew, gradually taking over his identity. As the story progress, the reasons for the inspector's obsession are revealed step by step. One of them is death of his daughter Eva, who died in a car accident, when Dusan was driving the car. His ex-wife blames him for theirs daughter's death in the accident, which took place on the very same bridge where Marjan Ozim committed suicide. From time to time, Dusan returns to the bridge, the location of both accidents, where he looks down into the abyss below, perhaps considering taking his own life. Dusan develops an unusual relationship with Marjan's former secret lover Milena. He finds out that she blames herself for Marjan's death, because she left him to return to her family. Eventually she discovers that Marjan had other lovers while he was seeing her. This beautiful, somewhat mysterious woman enraptures Dusan as well. The dividing line between inspector Dusan's and the Marjan Ozim's life is slowly disappearing. Once, in a surge of passion, Dusan and Milena make love in the Marjan's apartment, with Dusan ?in the role? of Marjan. As the moment of passion fades, this brief relationship also turns out to be just another blind alley for Dusan. By the end of the film, it becomes uncertain whether Dusan is even investigating the suicide of Marjan Ozim, or actually his own. A film that starts as a police thriller and then continues as an intimate thriller. Film where death is waiting to happen.

TheteamisbackandreadytotacklemoreofAmsterdam’scriminalunderworld.