谬托知已 实是狼心狗肺 遇难不屈 乃获最后胜利 广袤的北美草原一望无际。 大熊族酋长的儿子托凯依托(盖文源配音) 长得高大雄伟，精于马术。在白人开设的酒店里，他看见父亲同阴险狡诈的福克斯(戴学庐配音)赌钱，气恼地走开了。老酋长输光了现钱，又从怀里摸出一粒金子，白人大为惊愕，贪婪的目光一起射向酋长的怀里。福克斯蓦地拔出匕首顶住酋长的胸口，要酋长说出金子藏处，老酋长不从，结果为福克斯杀死。 驻军少校史密斯(翁振新配音)面对部落的反抗忧心忡忡，束手无策。罗奇(杨成纯配音)少尉奉命押送军火，前来增援，中途遭到塔雄卡维科和托凯依托的袭击，罗奇受伤落荒而逃。 托凯依托为避免冲突激化，只身来到父亲遇难的酒店，同少校谈判和平和公理。具有正义感的白人骑士亚当斯(任伟配音)见罗奇挟嫌报复，提醒少校阻止了谋杀。托凯依托趁机放火烧了仓库，然后远走高飞。 由于年迈昏庸的大熊族长老(富润生配音)轻信福克斯的许诺，托凯依托不得不遵命前往驻军处谈判。罗奇借口黑山发现金矿，以建造铁路为由，强迫托凯依托在迁移书上签字。年青的酋长识破了罗奇的诡计，将协议书当场撕毁。罗奇凶相毕露，下令关押酋长。少校见罗奇过于霸道，上前阻止，福克斯竟挥拳把少校击倒在地。 印第安人被强行驱赶到一片荒凉的石头地，长老才如梦初醒。同时，罗奇为了夺取大权，谋害了受伤的少校。临终前，少校痛苦地呼喊着女儿凯蒂。葬礼后，正直善良的亚当斯承担了照顾凯蒂的责任。 释放托凯依托的命令下达后，福克斯悄悄溜进了地窖，凯蒂发觉后，连忙叫喊亚当斯。地窖里，福克斯又持刀逼迫托凯依托供出藏金子的山洞。千钧一发之际，亚当斯及时赶到，福克斯只好悻悻地走了。 在移民迁送站，托凯依托得悉战友塔雄卡维科惨遭杀害，不由痛楚万分。由于奸细塔托卡诺的出卖，白人还抢走了唐纳酋长的武器和马匹。唐纳误以为托凯依托和托比亚斯(沈大谦配音)出卖了他们，命人擒获了两人。双方误会消除后，他们一起从罗奇的营地夺回了枪枝马匹，并杀死了罗奇。 福克斯见托凯依托杀死了罗奇，便率领部落紧追托凯依托不舍。托凯依托安排别人渡河之后，决定同福克斯一伙决一死战。狡猾的福克斯冷不防抛出绳索，紧紧套住了托凯依托。哪知正当他得意忘形时，托凯依托奋力从背后跃上福克斯的马，一刀结果了罪恶累累的“屠夫”。这时，众骑士纷纷围着托凯依托，唐纳酋长挺身而出，引开骑士。最后，两人摆脱了追踪，顺利返回了部落。 晨曦初露，微风轻拂，托凯依托向部落的男女老少发誓:给部落带来永久的和平和安宁。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　未来的2163年。人类的40名成员驾驶超光速宇宙飞船飞出太阳系，他们的目的地是阿尔法星人马座。在那里找寻是否有和人类一样的生命存在。完成任务后，将经过15年的飞行返回地球。 但是旅程中却碰到了意想不到的情况……　　《Ikarie XB 1》拍摄于1963年。当时库布里克没有拍出《2001：太空漫游》，人类还没有登上月球。富有想象力的东欧电影人就对宇宙中是否存在除人类以外的生命的问题作出了大胆假想，并在实践中寻找了。本片是捷克斯洛伐克的第一部科幻电影，影片改编自波兰著名的科幻作家 斯坦尼斯拉夫·莱姆的小说《麦哲伦星云》（“Magellan Cloud” ）。