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偏执狂
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  This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.  I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).  Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
紫苑草
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1938年万圣节前夕,纽约Albany,一位前大联盟的投手Francis Phelam,目前则是整天醉醺醺的街头游民,与他的女友一起回到了这个他们生长的地方。Helen又患有病,他与女友一起过着穷困潦倒的生活。更令人震惊的是在22年前Francis Phelam因失手杀了人,自己的小孩又意外跌落致死,这些阴影常在Francis Phelam的心里困扰着他而挥之不去。现在他又回到自己生长的故乡,Francis Phelam希望能重新开始自己的生活。
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