搜索"Ahn" ，找到 部影视作品
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美丽的智恩（申铉彬 饰）曾经拥有美好的生活和光明的未来，谁知一场车祸夺去了父母的姓名，而她也因为这场事故无法完成学业，远离了射击比赛冠军的殊荣，甚至落下了结巴的毛病。如今的她在一家工厂打工求生，生活紧紧巴巴。但是命运从来不打算放过她，在某个夜晚，她遭到三名歹徒的轮暴，身心备受摧残。智恩试图报警，然而失德的警察面对这个结巴女孩没有丝毫耐心，反而认定她想诬陷别人讹诈钱财。未过多久，其中一名歹徒拿着智恩丢落的身份证找上门来，并意图再次施暴。悲痛欲绝的智恩开始反抗。 而以此为契机，这个已经跌落尘埃的女孩开始了向这个该死的世界的复仇……
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莱拉日以继夜地在一间老旧的工厂工作，只为糊口并养活12岁的儿子阿米尔与刚出生的宝宝。此时一个足以拯救她贫困生活的提议出现，工厂的巴士司机卡赞打算娶她，但麻烦的是，卡赞也有一个跟阿米尔差不多大的女儿，在传统礼节下，改嫁的莱拉是不能带与男方女儿年龄相近的大儿子进门的。社会大众无情的眼睛，以及公司同僚心怀不轨的看好戏，莱拉如果要摆脱她的悲惨命运，只有一个办法。迫于无奈，她只好将阿米尔送去聋哑寄宿学校，她要儿子装聋作哑等她三个月，三个月确认完婚后就会接他回来。实际到了那边的阿米尔，才发现身边同学都是一些被妈妈永远抛弃的小孩，所以他决定逃回家，然而屡次回去他都会因看到妈妈的辛苦而不舍再回来。阿米尔必须做出他小小年纪的第一个重大决定......
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讲述了随着战争在中东以及世界其他盛产石油的地区蔓延，美国的汽油价格也随之一路飙升：并由此带来一系列的社会混乱和华尔街的动荡。主要做石油生意的神鹰公司也受到重大冲击，不过他们还有挽救公司的最后一张牌——收购利益巨大的俄罗斯石油公司的项目，但核心人物理查德意外去世，野心勃勃的投资银行家汤姆因此替代好友理查德成为这一项目的主导人，并在他的努力下，即将落实项目交易。然而此时意外再次发生，有人要刺杀汤姆阻止交易，十分震惊的汤姆开始调查这交易背后的秘密，最后发现这一切已经不再是简单的商业博弈，还有国家之间的较量，于是他很快意识到现实情况远比金钱和石油更加危急。
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汉密尔顿医生一直想要个孩子，他和妻子尼娜多方治疗毫无效果。于是，他带着妻子回到了阔别多年的家乡实施怀孕计划……
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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新季中观众将会看到幸福快乐的Brook Davis，见证一个年轻、美丽、成功的时尚设计师的婚礼。Nathan Scott正在为其第二个NBA赛季做准备，而Scott家庭正在等待他们第二个还在的降生，Haley预感这次会是个女孩。她将如何在怀孕与抚养Jamie和追寻音乐事业之间找到平衡？此外，Quinn以及Clay两人安危未定，这又将会对他们的朋友和家庭造成何种影响？第八季的《篮球兄弟》将会探索当代20多岁的年轻人在创造和定义生活，克服困难和迎接他们习以为常的美好事物时，是如何在其中找寻到平衡点。
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‘April.16, 2014. AM 08:48. Sewol Ferry sunk.’ Exploring what happened about diving bell, one of the biggest controversies after tragic event, the documentary tries to survive truth from burial by focusing ongoing course of media distortion and bureaucratic intervention in use of diving bell.
