本剧灵感来自普利策奖获奖作家伊迪丝·华顿未完成的同名最终作，由全女性创意团队主导。英国喜剧演员Katherine Jakeways为剧集创作者和领头编剧，Susanna White（《安多》《荒凉山庄》《简爱（2006）》）担任领头导演，两人同Beth Willis（《援助》《神秘博士》）均为执行制片。The Forge Entertainment为制片方，所以这应该是一部英剧。　　有钱的女孩，有权力的男人。新财富，旧秘密。1870年代（19世纪70年代），一群喜爱玩乐的年轻美国女孩闯入满是紧身胸衣的伦敦社交季，掀起了一场英美文化冲突。她们对数百年传统的漠视令人耳目一新，悄然渗透着英国这片感情克制（上嘴唇僵硬/stiff upper lip）的土地。“海盗”们被家族派去寻找丈夫、获取贵族头衔，但她们的心之所向远不止于此，一句“我愿意”只是个开始。

　　朱莉·哈特回归执导，格蕾丝·万德沃尔回归主演，迈克尔·潘操刀续集影片的原创音乐，哈特与约旦·霍洛维茨共同操刀剧本。续集影片将围绕星星女孩进入一个更大的充满了音乐、梦想和可能性的世界展开。瑟曼将饰演洛葛仙妮·马特尔，星星女孩在她的旅途中遇到了马特尔，并对其非常欣赏。

　　When the University of Oklahoma Sooners lose their star gymnast, Brenna Dowell, the rest of the team have to find a way to believe in themselves in order to win their second National Gymnastics Championship. With the help of Riley, a local breakdancing phenomenon, Chayse and her OU teammates learn to incorporate intricate breakdance techniques into their gymnastics routines in order to find a competitive edge. At the end of it all, they realize what matters most is finding the confidence to believe in yourself.

Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

暂无剧情

　　克拉克（马修柏德利，「酷斯拉」）是纽约电影学院的新鲜人，但他还没开始享受大学生涯就被人骗走了行李和所有财物，正当他走投无路之时，竟意外遇上偷走他财物的混混。为弥补克拉克的损失，那混混为克拉克引荐其叔父萨巴提尼（奥斯卡影帝马龙白兰度，「现代启示录」），希望他能帮克拉克安插个工作。虽然萨巴提尼所从事的〃进口生意〃颇受人质疑，他后来却成了克拉克的良师，教了他许多待人处事的经验。马龙白兰度在本片一反以往的作风改走喜剧路线，和他在其代表作「教父」中柯里昂家族的教父形象大相迳庭。

　　故事背景设定在二十世纪初，以发明健康玉米片闻名全球的凯洛博士经营了一家令信徒们为之疯狂的健身疗养院，他在院中提倡禁欲、素食、瘦肠等特别的健身法，又用军事化的管理带领大家唱歌做体操，使一对慕名前来的年轻夫妻大开眼界，分别经历了一段匪夷所思的奇遇。

　　众人期待的圣诞节即将来临，而艾瑞斯（多米尼克·普罗沃斯特-切克利 Dominique Provost-Chalkley 饰）也将在不久之后同相恋多年的男友席翁携手步入婚姻的殿堂，此时此刻，她的整个人都沉浸在幸福的气息之中。然而，让她没有想到的是，就在这个节骨眼上，席翁竟然选择了逃婚，艾瑞斯所预设的未来全部都化为了泡影。　　在这万般艰难的时刻，好在有朋友们陪伴在艾瑞斯的身边，其中就有席翁的表姐麦道尔（杰西卡·克拉克 Jessica Clark 饰）。对于艾瑞斯的遭遇，麦道尔实际上是有一点点幸灾乐祸的，因为她一直默默的喜欢着艾瑞斯，如今的情况让她对这段本来无望的爱情重新燃起了希望。