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父亲去世后,漂亮的Saltanat不得不离开宁静的小村,前往大城市,去与一个富有的男人结婚。她的母亲身在狱中,背负巨债,正等着女儿给她援助。她的童年好友Kuandyk一直忠心地陪在她身边,默默地守护着她。Saltanat很快发现城里的男人并不信守诺言,她的希望也就此落空。Kuandyk尝试通过其他方法来筹钱,但情势反而变得更糟糕。尽管身处逆境,这两个年轻人却不言放弃。
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Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
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Set in Nizhny Tagil, Russia, Summer journeys nostalgically through the warm middle-Ural summer with eight-year-old Vadim and his half-sister Christina. They enjoy evening festivities with their older teenage friends by the fire, go on mellow skateboard rides, and have a quiet daytime nap in the garden house. Caressed by the sun and the warmth of his relatives, hidden in the quiet tranquillity of the garden and far away from the cruelty of the outside world, Vadim enjoys his childhood days. Acting as a serene lullaby that mimics the movements of a gentle breeze, Summer provides warmth, joy and solace, offering hope and strength for the future.
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65岁的布拉格老文学教师托克伦(德内克·斯维拉克 Zdenek Sverák 饰)看上去有些落后于时代,学生的叛逆让他忍无可忍,在他向学生小施惩罚时也丢掉了自己的工作。赋闲的托克伦也许是为了摆脱沉闷的家庭气氛,找到了快递员的工作,然而很快就遭遇了车祸退出。已婚的女儿最近情感出现挫折,托克 伦一边在超市中回收酒瓶,一边替女儿照料外孙;他的两位同事,退休老军官和兼职小伙子,虽然表达方式不同,但同样有感情的苦恼,托克伦为他们牵线搭桥,在顾客中也人缘颇好。托克伦时常幻想和形形色色的女子交往的画面,妻子觉察到他们彼此疏远的感情,但又无能为力。女儿和新男友驱车带两位老人郊游,这对老夫妻乘坐的热气球突然失去了控制…… 本片获2008年捷克狮子奖最佳导演。最佳摄影等多项褒奖。
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社工蒂塔的家里住着太多边缘人:女友的两个女儿,一个人小鬼大满腹疑问,一个叛逆少女对世界愤恨;室友东尼在交友软件不停寻找下任,这次钓上的小鲜肉还算亲切诚恳;还有三两成群的离家女同志们,整天吵吵闹闹也勉强凑成一家人。直到女友诊断出癌症,蒂塔被迫负起母亲的责任,不仅为了收养得 跟东尼假结婚,还得对外人掩盖家中混居的复杂身份,身在作风保守的马其顿,他们该怎么维持这个拼凑家庭的平衡?
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黑蝇,夏季时在纽约市的布朗克斯区大量繁殖。电影改编自香农·伯克于2008年出版的小说《911》。故事发生在纽约市,讲述了年轻的护理人员奥利·克罗斯与经验丰富的医生鲁特科夫斯基搭档,在面对毒品、犯罪和暴力等残酷的现实生活中,重新审视生与死的意义,改变了他人生观的故事。
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[当我还只是十三岁时,1941年春末的那一天,我初次见到了她那一天,墨索里尼向英法宣战,而我,得到了生命里的第一辆脚踏车。她,撩著波浪状黑亮的秀发,穿著最时髦的短裙和丝袜,踏著充满情欲诱惑的高跟鞋,来到了西西里岛上宁静的阳光小镇。她的一举一动都引人瞩目、勾人遐想,她的一颦一笑都教男人心醉、女人羡妒。玛莲娜,像个女神一般,征服了这个海滨的天堂乐园。年仅十三岁的雷纳多也不由自主地掉进了玛莲娜所掀起的漩涡之中,他不仅跟著其他年纪较大的青少年们一起骑著单车,穿梭在小镇的各个角落,搜寻著玛莲娜的诱人丰姿与万种风情,还悄悄地成为她不知情的小跟班,如影随形地跟监、窥视她的生活。她摇曳的倩影、她聆听的音乐、她贴身的衣物都成为这个被荷尔蒙淹没的少年,最真实、最美好的情欲幻想。然而,透过雷纳多的眼,我们也看到了玛莲娜掉进了越来越黑暗的处境之中,她变成了寡妇,而在镇民...]